The Thin Red Line

I vividly remember as a child, in the days before Court TV when cameras were generally not allowed in court rooms, seeing the artist’s renditions of key testimony from various trials and hearings on the evening news.   I remember being so struck by how the drawings of what happened that day seemed to make it all more Real to me than the broadcasts of real trials and hearings would later seem when as now such broadcasts became ubiquitous.

Steve Mumford’s Baghdad Journal, subtitled An Artist in Occupied Iraq caught my attention the moment that I saw it.  It is the first time in many years  I have encountered art as journalism, and I was struck once again at how much more effective good drawings can be at conveying a reality vis a vis the endless propaganda  errr copy and film footage we have already seen regarding Iraq.

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